{"id":72,"date":"2018-11-27T01:16:23","date_gmt":"2018-11-27T01:16:23","guid":{"rendered":"https:\/\/wordpress-dot-meredith-monk-website.appspot.com\/?page_id=72"},"modified":"2026-03-12T20:03:05","modified_gmt":"2026-03-12T20:03:05","slug":"chronology","status":"publish","type":"page","link":"https:\/\/wordpress-dot-meredith-monk-website.appspot.com\/about\/chronology\/","title":{"rendered":"Chronology"},"content":{"rendered":"


For a downloadable\u00a0PDF of Meredith Monk’s full chronology, please click here<\/a>.

<\/strong>For additional information available about any particular work, please click on the corresponding links below <\/span>in blue<\/span><\/a>.

<\/span>To purchase recordings on CD and DVD, please visit our <\/span>store page<\/span><\/a>.

<\/span>To view films and videos, please visit our <\/span>online streaming page<\/span><\/a>.
<\/span>
<\/span><\/p>\n

2025<\/strong><\/span>
Mamnoon for Shirin <\/b>(Music Composition)
<\/i>Cantering Song for Bruce<\/strong>\u00a0(Music Composition)<\/i>
Cellular Songs<\/u><\/strong><\/a>\u00a0(Recording) \u00a0\u00a0<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>2024<\/strong><\/span>
Carillon Call<\/strong>\u00a0(Music Composition)<\/i>
Cello-Bassoon Exchange<\/strong>\u00a0(Music Composition)<\/i>
Cello Talk<\/strong>\u00a0(Music Composition)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>2023<\/strong><\/span>
Indra\u2019s Net<\/strong>\u00a0(Music Composition, Music-Theater Work)<\/i>
Offering Shrine<\/strong>\u00a0(Video, Installation)
<\/i>Songs of Ascension Shrine <\/strong>(Video, Installation)<\/i>
Meredith Monk. Calling<\/strong>\u00a0(Exhibition)\u00a0<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>2022<\/strong><\/span>
May the Dark Ignorance of Sentient Beings Be Dispelled<\/strong>\u00a0(Music Composition)<\/i>
Harp and Bow<\/strong>\u00a0(Music Composition)<\/i>
Meredith Monk: The Recordings<\/strong>\u00a0(Recording)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>2021<\/strong><\/span>
Indra\u2019s Net (Concert Version)<\/u><\/strong><\/a>\u00a0(Music Composition, Music-Theater Work)<\/i>
Rotation Shrine\u00a0<\/strong>(Video, Installation)<\/i>
Rotation<\/u><\/strong><\/a>\u00a0(Music Composition, Video, Installation)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>2020<\/strong><\/span>
Anthem<\/u><\/strong><\/a>\u00a0(Music Composition)<\/i>
Simple Sorrow<\/strong>\u00a0(Music Composition)<\/i>
MEMORY GAME<\/u><\/strong><\/a>\u00a0(Recording)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>2019<\/strong><\/span>
Dialogue<\/u><\/strong><\/a>\u00a0(Music Composition)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>2018<\/strong><\/span>
Cellular Songs<\/u><\/strong><\/a>\u00a0<\/strong>(Music-Theater Work)<\/i>
Bloodline Shrine<\/u><\/strong><\/a>\u00a0(Installation)<\/i>
Hand Mandala<\/strong>\u00a0(Video)<\/i>
Hand Reflection<\/strong>\u00a0(Video)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>2017<\/strong><\/span>
Cellular Songs<\/strong>\u00a0(Music Composition)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>2016<\/strong><\/span>
Migration<\/u><\/strong><\/a>\u00a0(Music Composition)<\/i>
Long Life Song<\/strong>\u00a0(Music Composition)<\/i>
On Behalf of Nature<\/u><\/strong><\/a>\u00a0(Recording)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>2015<\/strong><\/span>
Backlight<\/u><\/strong><\/a>\u00a0(Music Composition)<\/i>
Lullaby For Lise<\/strong>\u00a0(Music Composition)<\/i>
Girlchild Diary<\/u><\/strong><\/a>\u00a0(Video)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>2014<\/strong><\/span>
Piano Songs<\/u><\/strong><\/a>\u00a0(Recording)<\/i>
Radio Songs<\/u><\/strong><\/a>\u00a0(Recording)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>2013<\/strong><\/span>
On Behalf of Nature<\/u><\/strong><\/a>\u00a0(Music Composition, Music-Theater Work)<\/i>
Meredith Monk: Solo Concert 1980<\/u><\/strong><\/a>\u00a0(Recording)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>2012<\/strong><\/span>
Realm Variations<\/u><\/strong><\/a>\u00a0(Music Composition)<\/i>
Wedding March<\/u><\/strong><\/a>\u00a0<\/strong>(Music Composition)<\/i>
MONK MIX: Remixes & Interpretations of Music by Meredith Monk<\/u><\/strong><\/a>\u00a0(Recording)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>2011<\/strong><\/span>
Quilting<\/strong>\u00a0(Music Composition)<\/i>
Songs of Ascension<\/u><\/strong><\/a>\u00a0(Recording)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>2010<\/strong><\/span>
WEAVE for Two Voices, Chamber Orchestra and Chorus<\/u><\/strong><\/a>\u00a0(Music Composition)<\/i>
Education of the Girlchild Revisited<\/u><\/strong><\/a>\u00a0(Opera)<\/i>
Sheaving<\/strong>\u00a0(Music Composition)<\/i>
16 Millimeter Earrings (1966\/1998)<\/u><\/strong><\/a>\u00a0(Installation)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>2009<\/strong><\/span>
Ascension Variations<\/u><\/strong><\/a>\u00a0(Site-Specific Work)<\/i>
Beginnings<\/u><\/strong><\/a>\u00a0(Recording)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>2008<\/strong><\/span>
Songs of Ascension<\/u><\/strong><\/a>\u00a0(Music-Theater Work, Site-Specific Work)<\/i>
impermanence<\/u><\/strong><\/a>\u00a0(Recording)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>2007<\/strong><\/span>
Basket Rondo<\/u><\/strong><\/a>\u00a0(Music Composition)<\/i>
Three Heavens and Hells<\/u><\/strong><\/a>\u00a0<\/strong>(Choral Version)\u00a0(Music Composition)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>2006<\/strong><\/span>
impermanence<\/u><\/strong>\u00a0<\/u>(part 2)<\/u><\/strong><\/a>\u00a0(Music Composition)<\/i>
impermanence<\/u><\/strong><\/a>\u00a0(Music -Theater Work)<\/i>
eye portraits from impermanence<\/strong>\u00a0<\/strong>(Video)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>2005<\/strong><\/span>
Night<\/u><\/strong><\/a>\u00a0(new orchestration)\u00a0(Music Composition)<\/i>
Gotham Lullaby<\/u><\/strong><\/a>\u00a0(new arrangement)\u00a0(Recording)<\/i>
Vocal Gestures<\/u><\/strong><\/a>\u00a0(Exhibit)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>2004<\/strong><\/span>
Stringsongs<\/u><\/strong><\/a>\u00a0(Music Composition)<\/i>
impermanence (part 1)<\/u><\/strong><\/a>\u00a0<\/strong>(Music Composition)<\/i>
The Impermanence Project<\/u><\/strong><\/a>\u00a0<\/strong>(Music -Theater Work)<\/i>
Impermanence portraits\u00a0<\/strong>(Video)<\/i>
Archeology of an Artist 2<\/u><\/strong><\/a>\u00a0<\/strong>(Exhibition)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>2003<\/strong><\/span>
Possible Sky<\/u><\/strong><\/a>\u00a0(Music Composition)<\/i>
Last Song<\/strong>\u00a0(Music Composition)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>2002<\/strong><\/span>
mercy<\/u><\/strong><\/a>\u00a0<\/strong>(Music-Theater Work)<\/i>
Show People: Downtown Directors and the Play of Time\u00a0<\/strong>(Exhibition)<\/i>
Eclipse Variations\u00a0<\/strong>(Installation)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>2001<\/strong><\/span>
mercy<\/strong>\u00a0(Music-Theater Work)<\/i>
Refractive Voices<\/strong>\u00a0(Music Composition)<\/i>
Ancestor Shout<\/u><\/strong><\/a>\u00a0(Music Composition)<\/i>
Little Breath Motor<\/u><\/strong><\/a>\u00a0(Music Composition)<\/i>
Boys 1; Boys 2; Boys 3<\/u><\/strong><\/a>\u00a0(Music Composition)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>2000<\/strong><\/span>
Micki Suite<\/strong>\u00a0(Music Composition)<\/i>
Eclipse Variations<\/u><\/strong><\/a>\u00a0(Music Composition)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1999<\/strong><\/span>
Clarinet Study #1<\/strong>\u00a0(Music Composition)<\/i>
Cello Study #1<\/strong>\u00a0(Music Composition)<\/i>
Trumpet Study #1<\/strong>\u00a0(Music Composition)<\/i>
Shrines<\/u><\/strong><\/a>\u00a0(Exhibition)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1998<\/strong><\/span>
Magic Frequencies: a science fiction chamber opera<\/u><\/strong><\/a>\u00a0(Opera)<\/i>
Art Performs Life: Merce Cunningham\/ Meredith Monk\/ Bill T. Jones\u00a0<\/u><\/strong><\/a>(Exhibition)<\/i>
16 Millimeter Earrings<\/strong>\u00a0(Installation)<\/i>
ATLAS\u00a0<\/strong>(Installation)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1997<\/strong><\/span>
Steppe Music<\/strong>\u00a0(Music Composition)<\/i>
Volcano Songs<\/u><\/strong><\/a>\u00a0<\/strong>(Recording)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1996<\/strong><\/span>
The Politics of Quiet: a music theater oratorio<\/u><\/strong><\/a>\u00a0(Music-Theater Work)<\/i>
A Celebration Service<\/u><\/strong><\/a>\u00a0(Music-Theater Work)<\/i>
Monk and the Abbess: The Music of Meredith Monk and Hildegard von Bingen<\/u><\/strong><\/a>\u00a0<\/strong>(Recording)<\/i>
Archeology of an Artist<\/u><\/strong><\/a>\u00a0<\/strong>(Exhibition)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1995<\/strong><\/span>
Nightfall<\/u><\/strong><\/a>\u00a0(Music Composition)<\/i>
Denkai and Krikiki Chants<\/u><\/strong><\/a>\u00a0(Music Compositions)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1994<\/strong><\/span>
Volcano Songs\u00a0<\/strong>(Solo)\u00a0(Music Composition)<\/i>
St. Petersburg Waltz<\/u><\/strong><\/a>\u00a0(Solo Piano Version)\u00a0(Music Composition)<\/i>
American Archeology: Roosevelt Island<\/u><\/strong><\/a>\u00a0<\/strong>(Site-Specific Work)<\/i>
Volcano Songs<\/u><\/strong><\/a>\u00a0(Music-Theater Work)<\/i>
Volcano Songs: Solos\u00a0<\/strong>(Music Compositions)<\/i>
Faces<\/strong>\u00a0<\/strong>(Video)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1993<\/strong><\/span>
Custom Made<\/strong>\u00a0(Music Compositions)<\/i>
Steppe Music (Excerpt)
Volcano Songs: Duets
St. Petersburg Waltz (Solo Piano, 2 Voices)
New York Requiem
Street Corner Pierrot\u00a0<\/strong>and\u00a0Evanescence\u00a0<\/strong>(Choreography for Donald Ashwander\u2019s Particular People)<\/i>
ATLAS<\/u><\/strong><\/a>: an opera in three parts<\/u><\/strong>\u00a0<\/u><\/a>(Recording)<\/i>
Return to Earth<\/u><\/strong><\/a>\u00a0<\/strong>(Recording)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1992<\/strong><\/span>
Three Heavens and Hells<\/strong>\u00a0(Music Composition)<\/i>
Facing North<\/u><\/strong><\/a>\u00a0(Recording)<\/i>
Phantom Waltz<\/u><\/strong>\u00a0and\u00a0<\/u>Ellis Island<\/u><\/strong><\/a>\u00a0(Recording)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1991<\/strong><\/span>
ATLAS: an opera in three parts<\/u><\/strong><\/a>\u00a0(Opera)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1990<\/strong><\/span>
Phantom Waltz<\/u><\/strong><\/a>\u00a0(Music Composition)<\/i>
Facing North<\/u><\/strong><\/a>\u00a0(Music Composition, Music-Theater Work)<\/i>
Book of Days<\/u><\/strong><\/a>\u00a0(Recording)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1988<\/strong><\/span>
Fayum Music<\/strong>\u00a0(Music Composition)<\/i>
Light Songs<\/strong>\u00a0(Music Composition)<\/i>
Raven<\/strong>\u00a0(Music Composition)<\/i>
Cat Song<\/strong>\u00a0(Music Composition)<\/i>
Parlour Games<\/strong>\u00a0(Music Composition)<\/i>
Pavanne for Poe<\/strong>\u00a0(Music Composition)<\/i>
Book of Days<\/strong>\u00a0(film score)\u00a0(Music Composition)<\/i>
Book of Days<\/u><\/strong><\/a>\u00a0(Film)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1987<\/strong><\/span>
Duet Behavior<\/u><\/strong><\/a>\u00a0(Music Composition)<\/i>
The Ringing Place<\/u><\/strong><\/a>\u00a0(Music Composition, Music-Theater Work)<\/i>
Do You Be<\/u><\/strong><\/a>\u00a0(Recording)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1986<\/strong><\/span>
Scared Song<\/strong>\u00a0(Music Composition)<\/i>
I Don\u2019t Know<\/strong>\u00a0(Music Composition)<\/i>
Double Fiesta<\/strong>\u00a0(Music Composition)<\/i>
String<\/strong>\u00a0(Music Composition)<\/i>
Window in 7\u2019s<\/u><\/strong><\/a>\u00a0(Music Composition)<\/i>
Acts from Under and Above<\/u><\/strong><\/a>\u00a0(Music-Theater Work)<\/i>
Our Lady of Late: The Vanguard Tapes<\/u><\/strong><\/a>\u00a0(Recording)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1985<\/strong><\/span>
Book of Days<\/u><\/strong><\/a>\u00a0(Music Composition)<\/i>
Window Song<\/strong>\u00a0(Music Composition)<\/i>
Road Song<\/strong>\u00a0(Music Composition)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1984<\/strong><\/span>
Panda Chant I<\/strong>\u00a0(Music Composition)<\/i>
Panda Chant II<\/u><\/strong><\/a>\u00a0(Music Composition)<\/i>
Graduation Song<\/strong>\u00a0(Music Composition)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1983<\/strong><\/span>
Tokyo Cha-Cha<\/strong>\u00a0(Music Composition)<\/i>
Engine Steps<\/strong>\u00a0(Music Composition)<\/i>
2 Men Walking<\/strong>\u00a0(Music Composition)<\/i>
The Games: a science fiction opera<\/u><\/strong><\/a>\u00a0(Music Composition, Opera)<\/i>
Turtle Dreams<\/u><\/strong>\u00a0<\/u>(Cabaret)<\/u><\/strong><\/a>\u00a0(Music-Theater Work)<\/i>
Turtle Dreams<\/u><\/strong><\/a>\u00a0(Recording)<\/i>
Turtle Dreams (Waltz)<\/u><\/strong><\/a>\u00a0(Video)<\/i>
Mermaid Adventures<\/strong>\u00a0(Film)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1982<\/strong><\/span>
View No.1<\/strong>\u00a0(Music Composition)<\/i>
View No.2\u00a0<\/strong>(Music Composition)<\/i>
Paris<\/u><\/strong><\/a>\u00a0(Video)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1981<\/strong><\/span>
Specimen Days: a Civil War opera<\/u><\/strong><\/a>\u00a0(Opera)<\/i>
Ellis Island<\/u><\/strong><\/a>\u00a0(Music Composition)<\/i>
Turtle Dreams (Waltz)<\/strong>\u00a0(Music-Theater Work)<\/i>
Music Concert with Film<\/u><\/strong><\/a>\u00a0(Music-Theater Work)<\/i>
Dolmen Music<\/u><\/strong><\/a>\u00a0<\/strong>(Recording)<\/i>
Ellis Island<\/u><\/strong><\/a>\u00a0<\/strong>(Film)<\/i>
Silver Lake with Dolmen Music<\/strong>\u00a0(Installation)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1980<\/strong><\/span>
Turtle Dreams<\/strong>\u00a0(Waltz)<\/strong>\u00a0(Music Composition)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1979<\/strong><\/span>
Dolmen Music<\/strong>\u00a0(Music Composition)<\/i>
Recent Ruins: an opera<\/u><\/strong><\/a>\u00a0(Music-Theater Work)<\/i>
Songs from the Hill \/ Tablet\u00a0<\/u><\/strong><\/a>(Recording)<\/i>
Ellis Island<\/strong>\u00a0(short silent film)\u00a0(Film)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1978<\/strong><\/span>
The Plateau Series<\/u><\/strong><\/a>\u00a0(Music-Theater Work)<\/i>
Biography<\/u><\/strong><\/a>\u00a0(Recording)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1977<\/strong><\/span>
The Plateau Series<\/strong>\u00a0(Music Composition)<\/i>
Rally\u00a0<\/u><\/strong>and<\/u>\u00a0Procession<\/u><\/strong><\/a>\u00a0(Recording)<\/i>
Quarry<\/u><\/strong><\/a>\u00a0(Film)<\/i>
16 Millimeter Earrings<\/u><\/strong><\/a>\u00a0(Film)<\/i>
Humboldt\u2019s Current<\/u><\/strong><\/a>\u00a0(Film)<\/i>
Recent Ruins\u00a0<\/strong>(Installation)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1976<\/strong><\/span>
Songs from the Hill<\/strong>\u00a0(Music Composition)<\/i>
Tablet<\/strong>\u00a0(Music Composition)<\/i>
Venice\/Milan<\/strong>\u00a0(Music Composition)<\/i>
Quarry: an opera in three movements<\/u><\/strong><\/a>\u00a0(Opera)<\/i>
The Travelogue Series: Paris \/ Venice-Milan \/ Chacon<\/u><\/strong><\/a>\u00a0(Music-Theater Work)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1975<\/strong><\/span>
Chacon<\/u><\/strong><\/a>\u00a0(Music-Theater Work)<\/i>
Quarry<\/strong>\u00a0(short silent film)\u00a0(Film)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1974<\/strong><\/span>
Anthology and Small Scroll\u00a0<\/u><\/strong><\/a>(Music-Theater Work)<\/i>
Chacon<\/strong>\u00a0(Music Composition)<\/i>
Our Lady of Late<\/u><\/strong><\/a>\u00a0(Recording)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1973<\/strong><\/span>
Education of the Girlchild: an opera<\/u><\/strong><\/a>\u00a0(Opera)<\/i>
Our Lady of Late<\/strong>\u00a0(Music Composition)<\/i><\/p>\n

1972<\/strong><\/span>
Paris<\/u><\/strong><\/a>\u00a0(Music Composition)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1971<\/strong><\/span>
Vessel: an opera epic<\/u><\/strong><\/a>\u00a0(Music Composition, Opera)<\/i>
Tour 8: Castle\u00a0<\/strong>(Tour Series)\u00a0(Site-Specific Work)<\/i>
Plainsong for Bill\u2019s Bojo<\/strong>\u00a0(Music Composition)<\/i>
Mountain<\/strong>\u00a0(Film)<\/i>
KEY: an album of invisible theater<\/u><\/strong><\/a>\u00a0(Recording)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1970<\/strong><\/span>
A Raw Recital<\/u><\/strong><\/a>\u00a0(Music Composition, Music-Theater Work)<\/i>
Needle-Brain Lloyd and the Systems Kid<\/u><\/strong><\/a>\u00a0(Music Composition, Site-Specific Work)<\/i>
KEY: an album of invisible theater<\/strong>\u00a0(Music Composition)<\/i>
Tour 7: Factory<\/strong>\u00a0(Tour Series)\u00a0(Site-Specific Work)<\/i>
Tour 6: Gym<\/strong>\u00a0(Tour Series)\u00a0(Site-Specific Work)<\/i>
Tour 5: Glass<\/strong>\u00a0(Tour Series)\u00a0(Site-Specific Work)<\/i>
Tour 4: Organ<\/strong>\u00a0(Tour Series)\u00a0(Site-Specific Work)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1969<\/strong><\/span>
Juice: a theatre cantata in three installments<\/u><\/strong><\/a>\u00a0<\/strong>(Site-Specific Work)<\/i>
Tour 3: Lounge<\/strong>\u00a0(Tour Series)\u00a0(Site-Specific Work)<\/i>
Tour 2: Barbershop<\/strong>\u00a0(Tour Series)\u00a0(Site-Specific Work)<\/i>
Tour: Dedicated to Dinosaurs<\/strong>\u00a0(Tour Series)\u00a0(Site-Specific Work)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1968<\/strong><\/span>
Co-op<\/strong>\u00a0(Site-Specific Work)<\/i>
Blueprint 3 \u2013 5<\/strong>\u00a0(Blueprint Series)\u00a0(Site-Specific Work)<\/i>
Ball Bearing<\/strong>\u00a0(Film, Installation)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1967<\/strong><\/span>
Candy Bullets and Moon<\/u><\/strong><\/a>\u00a0(Music Composition, Recording)<\/i>
Duet for Voice and Echoplex<\/u><\/strong><\/a>\u00a0(Music Composition, Recording)<\/i>
Overload \/ Blueprint 2<\/strong>\u00a0(Blueprint Series)\u00a0(Site-Specific Work)<\/i>
Blueprint (1)<\/strong>\u00a0(Blueprint Series)\u00a0(Site-Specific Work)<\/i>
Children<\/strong>\u00a0(Film)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1966<\/strong><\/span>
16 Millimeter Earrings<\/u><\/strong><\/a>\u00a0<\/strong>(Music Composition, Early Interdisciplinary Work, Recording, Film)<\/i>
Duet with Cat\u2019s Scream and Locomotive<\/u><\/strong><\/a>\u00a0<\/strong>(Music Composition, Early Interdisciplinary Work)<\/i>
Portable<\/u><\/strong><\/a>\u00a0(Early Interdisciplinary Work)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1965<\/strong><\/span>
Rel\u00e2che<\/strong>\u00a0(Early Interdisciplinary Work)<\/i>
Blackboard<\/strong>\u00a0(Early Interdisciplinary Work)<\/i>
Radar<\/strong>\u00a0(Early Interdisciplinary Work)<\/i>
The Beach<\/strong>\u00a0(Early Interdisciplinary Work)<\/i>
Cartoon<\/strong>\u00a0(Early Interdisciplinary Work)<\/i><\/p>\n

\u00a0<\/p>\n

<\/i>1964<\/strong><\/span>
Break<\/strong>\u00a0(Early Interdisciplinary Work)<\/i><\/p>\n

\u00a0<\/p>\n

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For a downloadable\u00a0PDF of Meredith Monk’s full chronology, please click here. For additional information available about any particular work, please click on the corresponding links below in blue. To purchase recordings on CD and DVD, please visit our store page. To view films and videos, please visit our online streaming page. 2025Mamnoon for Shirin (Music […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":13,"menu_order":33,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"acf":false,"_links":{"self":[{"href":"https:\/\/wordpress-dot-meredith-monk-website.appspot.com\/wp-json\/wp\/v2\/pages\/72"}],"collection":[{"href":"https:\/\/wordpress-dot-meredith-monk-website.appspot.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wordpress-dot-meredith-monk-website.appspot.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-dot-meredith-monk-website.appspot.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-dot-meredith-monk-website.appspot.com\/wp-json\/wp\/v2\/comments?post=72"}],"version-history":[{"count":190,"href":"https:\/\/wordpress-dot-meredith-monk-website.appspot.com\/wp-json\/wp\/v2\/pages\/72\/revisions"}],"predecessor-version":[{"id":5135,"href":"https:\/\/wordpress-dot-meredith-monk-website.appspot.com\/wp-json\/wp\/v2\/pages\/72\/revisions\/5135"}],"up":[{"embeddable":true,"href":"https:\/\/wordpress-dot-meredith-monk-website.appspot.com\/wp-json\/wp\/v2\/pages\/13"}],"wp:attachment":[{"href":"https:\/\/wordpress-dot-meredith-monk-website.appspot.com\/wp-json\/wp\/v2\/media?parent=72"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}